Anne Harder Wyatt's introduction to the painting of Native peoples began in
the late 1930's. After graduating from Washington State University (WSU) in
1931 with a degree in both art and psychology, she spent time working on
the family's vast cattle ranch in Adams/Lincoln counties Washington, and
doing quite a bit of traveling throughout the West and Mexico. Still
interested in art in general and painting in particular, she enrolled for
summer sessions at the University of Washington, seeing that her alma mater
had forbidden the painting of nudes. Bent on cultivating her artistic
talents Anne later rekindled some of her earlier friendships with students
and instructors from WSU, that eventually led to her involvement with the
Nespelem Art Colony.
Nespelem was, and still is, the heart of the Indian reservation known as
the Colville Confederated Tribes. Established in 1872, the reservation is
home to 12
separate and distinct tribes, which includes Nez Perces,
Yakimas, Palouses and San Poils. It was also the home to such legendary
individuals as Chief Joseph, Cleveland Kamiakin and Chief Awhi, who were
all forced to relocate there after the internment period that followed the
Nez Perce War. Nespelem is located about 14 miles north of the massive
Grand Coulee Dam in central Washington state. In fact, the dam was still
under construction when the art colony had begun its work. It was a lively
time to say the least.
Ann painted for at least two summers at Nespelem, living on the reservation
for six weeks at a time. The painting was done in the old Nespelem high
school gym (long since gone), with individual Indians posing for up to
eight hours at a time in front of twenty to thirty students. The Indians
were paid anywhere from two to five dollars per day. The instructors for
the first few years consisted of Worth Griffin, head of the Fine Arts
Department at WSU, and Clifford Still, who functioned for a time under
Griffin until his own artistic achievements catapulted him to bigger and
better things. Still became a nationally known abstract artist whose
collection is archived in New York.
The individuals who were painted at Nespelem were considered elders, or at
least individuals who hailed from famous lineages. The two portraits
displayed here are of Willie Andrews (Red Star), a nephew to Chief Joseph
and Bertha Awhi, granddaughter of Chief Awhi who resides in Omak, Wa., some
32 mile north of Nespelem. In a recent interview Bertha told me that she
served as an interpreter for the painters when not sitting to be painted
herself. She remembers fondly the friendships that were established with
some of the students and says that she remembers Anne as if it were yesterday.
Though the record isn't exactly clear, it seems that the colony came to an
end in 1941. Out of the inaugural class of 1937, only two members exist.
Anne Harder Wyatt is one of them, Ruth Kelsey is the other. Kelsey at 92
still remembers vividly the two years she spent at the colony and still
trys to keep in touch Anne, who at 89 considers her time at Nespelem on of
the most rewarding periods of her
life.